With the water-resistant camera concept in mind, the Canon’s first D10 was impressed by its metallic, metallic shell, rounded edges and a miniature submarine. According to the company, the D10 has a water resistance of up to 10 meters, which is designed to compete with rivals that have experienced in this generation of cameras, such as the Panasonic Lumix DMC-FT1 / TS1 and the Olympus Tough 8000.
The entire enclosure surrounding the D10 has only two doors and is waterproof. A door on the right hand covers the USB port and video, while the other side covers the battery compartment and memory card. One advantage of the Canon is that although it is designed to be very tight to prevent water, the doors on the D10 are not as difficult to open as on the same feature.
Arrange the navigation menus on the D10 quite similarly to other compacts of the firm, but a button sauce is changed position to suit the environment to be photographed in water. For example, the shutter button is designed to be louder, the zoom ring is replaced by two easy-to-press back buttons and exposure compensation buttons, lights, autofocus and focus around the central func / set button. . All of them are made of brown plastic, designed in clear and carved letters that make it easier to see when shooting in the water.
The D10’s flash is fixed on top of the lens, capable of shooting up to 3.2 meters. The 1,000 mAh battery helps to capture up to 220 new photos to recharge. The machine owns a 12 million pixel sensor, a 35-105mm equivalent lens, and a 2.5-inch LCD.
With a 3x zoom, aperture of f / 2.8-5.9, the D10 lens covers a fairly common range of 6.2 – 18.6 mm (35 to 105 mm), equipped with optical image stabilization Study of the company and have the ability to capture macro at a distance of up to 3cm.
One impressive thing about this first waterproof version of the Canon is its fast shutter speed, which takes less than a second. The lens is designed to be fixed so that the zoom is still not “indented”, avoiding the maximum risk of failure due to external impact.
The PowerShot D10 supports many autofocus features in combination with face recognition. In AiAF Face Mode, the D10 can recognize up to nine faces with high accuracy thanks to the improved DIGIC 4 processor. When no face is detected, this mode automatically changes to 9 focus points on the frame.
Compact but the D10 also features handwriting adjustment that is only on the semi-professional compact. The manual function uses the up and down arrow keys to adjust the distance (can be adjusted in m or cm depending on the focus subject is far or near). Additional support for manual focus mode, the screen in the middle of the frame will be magnified than normal. However, this mode does not seem very useful, especially when shooting underwater.
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One thing to note is that when shooting underwater, it is best to switch to Underwater mode instead of in automatic modes such as Auto or Program because the image processing will then choose the default parameters available. Rather than let the machine identify the environmental conditions.
About filming, the D10 has two 640 x 480 (VGA) pixel modes and 320 x 240 pixels. In VGA mode, movies are recorded up to 4 GB, encode MPEG-4 mode and save them as QuickTime movie .mov files.
In Continuous Shooting mode, the latest image processor allows the D10 to shoot continuously at 1.1 frames per second. Images up to 4,000 x 3,000 pixels, saved as JPG files. Unfortunately, the more professional RAW format is not supported.
The first thing to note is that despite being designed as a waterproof camera, however, the D10 works no less than the popular compact. The images also give the same sharpness and color as other conventional Canon cameras.
Compared to the D10, the Lumix DMC-FT1 / TS1 also delivers crisp, high-contrast, color-balanced images and it’s hard to say which one. And with the Olympus Tough 8000 it looks a bit weaker. The details of the Tough 8000 are smoother and the quality difference is increasingly evident when shooting at wide angle and high speed. Overall, it can be said that the image quality of Tough 8000 is not equal to D10 and DMC-FT1 / TS1.
On ISO noise reduction, the D10 works quite well, however, not as well with versions with the same sensor and Canon’s non-waterproof image processor such as the PowerShot A2100 IS. Photos taken by D10 tend to be slightly dark. At low ISO noise particles are almost minimal. Up to ISO 200 starts to have particles but is still very hard to identify, only up to ISO 400 is clear.
In the field of noise reduction, the Lumix DMC-FT1 / TS1 closely follows the D10 button with image results and near-equivalent noise levels at different ISO levels. The Tough 8000 does a good job of handling noise at low ISO levels to 200, which is unlikely to be noticeable, however, making the image look duller than the other two. From ISO 400 or above, the Olympus machine has more noise.
Just looking at the configuration and features, the D10 can not be outdone, but it does not outperform other popular compacts with the 12 million pixel sensor, 3x optical zoom, LCD 2, 5 inch, DIGIC 4 image processor. But when looking at the ability to capture underwater up to 10 meters deep, shock-resistant, anti-dust, especially a slightly chubby, but very sure and pretty aesthetic design high tech.
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