Tamron 18-400mm f3.5-6.3 Di II VC HLD

amazon Tamron 18-400mm f3.5-6.3 Di II VC HLD reviews

Tamron 18-400mm f / 3.5-6.3 Di II VC HLD code B028 is presently the only all-in-one zoom lens catering to 1.5x crop DSLRs with an 18mm – 400mm focal length with a zoom ratio of 22.2x. If converted to 35mm full-frame, the longest focal length would convert to 600mm on Nikon or 640mm on Canon. Though this zoom range could be considered slightly drastic, this lens gets compact build-wise, suiting DSLR body and especially with anti-shake and macro abilities at its closest distance-45cm.

Design

In keeping with the latest Tamron lens finish employed lately, the 18-400 f / 3.5-6.3 exudes a smooth finish and has protective gaskets to keep water at bay. A bit of dust is thus allowed to enter inside. Though its made from plastic, the finishing on the barrel of this lens looks very good, giving a fair amount of feel to the hand, and I would say there are no worries with it surviving the worst rigors or a sudden bang inside.

When retracted, the lens has a consistent diameter from the camera body to the lens far end, which gives it a high-end appearance, very user-friendly, and easy to manipulate. Quite practically, the zoom length is almost twice that of its physical length, which in turn assures that when it is mounted on a body camera, you will not feel as if the head is down.

A large rubber zoom ring occupies the middle section of the lens to allow for good gripping, but to say the range could accommodate zoom segment-90 degrees is a very conservative estimate-our wrists would execute this motion with ease from 18 to 400mm.

Moving just like the zoom ring, fast focus from near 0.45m to infinite with as little as 60 degrees travel is allowed by the focus ring. This position of the ring, being above the center of the lens, is less prone to any unwanted touch.

Hard switches are installed by Tamron on this tube for manual focus/auto focus operation, anti-shake on/off, and the last camera-mounted lock to prevent zooming on the lens during heavy movements-such as when wearing the camera or tilting it downwards.

The tube uses filters with a non-72mm diameter, which is quite common so users can take advantage of available filters.

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Tamron 18-400mm F/3.5-6.3 DI-II VC HLD All-In-One Zoom For Nikon APS-C Digital SLR Cameras (6 Year Limited USA Warranty): Buy it now

Tamron 18-400mm F/3.5-6.3 DI-II VC HLD All-In-One Zoom For Canon APS-C Digital SLR Cameras (6 Year Limited USA Warranty): Buy it now

Tamron 18-400mm f/3.5-6.3 Di II VC HLD Zoom Lens with 3 UV/CPL/ND8 Filters + Tripod + Pouch Kit for Nikon DSLR Cameras: Buy it now

Tamron 18-400mm f/3.5-6.3 Di II VC HLD Zoom Lens with 3 Filters + Flash + Diffuser + Reflector Kit for Nikon DSLR Cameras: Buy it now

Optical excellence

Within the Tamron 18-400mm, there are 16 lenses combined together into 11 groups that include aspherical lenses, spherical problem lenses, and low scattering lenses that are dedicated to correcting spherical fading. Image sharpness and optimal resolution are still in limits and maintain the image distortion.

In this perception, however, such a brave attempt was underlined to demonstrate power by Optical Tamron, inserting from a wide angle of 18mm into telephoto range of 400mm in a lens this size.

Except for the lens, there is also focusing up to a distance of 45mm, which is the distance from a subject to the sensor, so you can imagine that zoomed out, this length of the lens is Basically, you can shoot up close from about 20cm from the lens.

Tamron has said that distortion issues at the largest focal length, sharpness throughout focal range and of course, image quality brought by this lens have been resolved too remarkably in this case lens.

Another factor is added up to this lens that along with the inbuilt HLD motor, space has also been restricted due to its small size and curved shape reducing the size of the lens. Effective VC anti-shake built into Tamron 18-400mm for low-light shooting or hand-held shooting at extreme telephoto focal distances as at 400mm.

It’s these two aspects that have made the user experience even better with an all-in-one lens of this kind of zoom range.

Real-life experience

The lens that I borrowed for the Nikon, when mounted as the DX body like the Nikon D7100, will give a focal length equivalent to 27-600mm when converted to 35mm full frame. This is what I said, this kind of lens would accommodate the most need one would face every day regarding photography.

Image Quality

The lens generally performed quite appealingly throughout its zoom range, though performance could differ with regard to the focal length. Sharp images with appropriate contrast and color accuracy were the main promises of the lens, especially by the widest end set at 18mm. As one narrows the view, however, sharpness slightly decreases, particularly at the far end of the zoom-in (400mm). Stopping down to f/8 or f/11 improves sharpness and overall quality, rendering soft images from the larger apertures somewhat sharper.

Distortion and Chromatic Aberration

It has a barrel distortion at the normal end of zoom, particularly especially at the wide end of the zoom range. At 18mm this is noticeable but most commonly is easily correctable with post-processing. Chromatic aberration is present in the lens but is typically well controlled, resulting in a slight amount of color fringing under high-contrast conditions. The optical design around this lens effectively manages such aberrations, resulting in overall image quality.

The lens is treated with a multi-coating to provide some flare and ghosting reduction though it is not entirely resistant to these phenomena. Thus, there would be a chance for flare and ghosting when shooting toward a very bright light source or if strong backlighting comes into the frame. Use of a lens hood can assist in reducing flare and ghosting effects, thereby improving the clarity in challenging lighting situations.

Bokeh and Depth of Field

The variable aperture of the Tamron 18-400mm f/3.5-6.3 Di II VC HLD creates implications for both bokeh quality and depth of field. The lens at the wide end provides for a relative shallow depth of field, just enough to yield some creative freedom with respect to background blur. Bokeh might not be as smooth and attractive compared to lenses with larger apertures. The 7-blade rounded aperture of the lens gives reasonably okay bokeh; however, it does not really compare with the performance from higher-end lenses.

Autofocus and Manual Focus

Autofocus Performance

The Tamron 18-400mm f/3.5-6.3 Di II VC HLD has Tamron’s High/Low Torque Drive (HLD) autofocus motor for fast and quiet operation. This enable the autofocus system to deliver very good performance on the range of the majority of focal lengths, but it can suffer from some hunting in low light to low contrast situations. For most purposes, autofocus speed is satisfactory for stills and video, but professional users will find it comparatively slower than harnessed lenses.

Manual Focus

Photographers may opt to configure manual focus while the autofocus system is still engaged. Indeed, the lens permits complete manual focus override. Manual focus ring-damping of the controls and smoothness of operation allows for accurate focus control. Resistance of the focus ring would generally be comfortable, though not up to the standard of higher-end lens systems.

Versatility and Use Cases

General Photography

The Tamron 18-400mm f/3.5-6.3 Di II VC HLD is exceptionally versatile; hence it will suit a wide range of photographic applications. The vast focal length range from wide-angle to super-telephoto allows the photographer to capture practically anything without changing lenses. From landscapes to portraits to wildlife, the zoom range is a flexible and handy feature.

Landscape Photography

The wide angle of the lens (18mm) makes it usable for landscapes. It captures large scenes quite decently in the sharpness and contrast areas at the wider side. Stopping down to f/8 or f/11 will maximize the lens performance with extra depth of field, which will aid in getting sharper results. Well, considering other wide-angle lenses, while not the sharpest, the lens should suffice for most landscape-related requirements.

Portrait Photography

Its telephoto range (up to 400mm) gives room for creative framing and compression, making portrait photography very robust. You can zoom in on distant subjects and there will always be room for versatility as far as composing portraits goes. A minor constraint of the lens is in terms of function in low light owing to the variable aperture, yet the sharpness and color accuracy overall of this lens give you an opportunity to achieve great portraits. A significant improvement in isolation of the subject is achieved from the depth of field realization when the aperture is stopped down.

Wildlife and Sports Photography

Tamron 18-400mm f/3.5-6.3 Di II VC HLD is the extensive telephoto reach, giving it the capability and flexibility for wildlife and sports photography. This means that it allows zooming in on the subject without having to change the lens, which is a major advantage when shooting fast-moving animals or athletes. The downside would be the variable aperture which could influence low light performance, necessitating a higher ISO or faster shutter settings for quality.

Travel Photography

The 18-400mm f/3.5-f/6.3 Di II VC HLD lens from Tamron offers travel photographers the complete range of focal lengths they can get in one single lens, thus minimizing the burden of carrying many lenses. This lens spans many areas allowing one to go from wide landscapes to fine macro. Well, this lens does not make for a huge carry-on since its size and weight are really material considering by paying attention to travel, but as far as compactness goes, it is fairly practical.

Competitor Comparison

Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM

In direct competition, it is the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM – very much the same range and aperture. It features optical stabilisation (OS), which provides a little extra comfort for handheld shooting. The extent to which the Sigma lens is close enough to Tamron in zoom range, it might have a slight edge regarding image stabilization. The amount of preference to be given to either the Sigma or Tamron lens would be made based on stabilization and personal option of handling and quality of image.

Nikon 18-300mm f/3.5-6.3G ED VR

This is a superzoom made specially for Nikon APS-C DSLRs. It features VR or vibration reduction, and it gives almost the same extent in focus lengths. It will give you a very effective stabilization with a good performance overall, but it would cost you more than the Tamron version. The choice of either will depend on which brand one prefers and on such qualities as stabilization.

Canon EF-S 18-200mm f/3.5-5.6 IS

The Canon EF-S 18-200mm f/3.5-5.6 is a superzoom lens with slightly shorter focal length and image stabilization. It has a more compact design but ends up offering quite less zoom than Tamron 18-400mm. The Canon lens is filling perfectly the gap for those who want something more portable with superzoom stabilization, but less range of focal lengths is covered.

Merits and Demerits

Advantages:

Extensive Zoom Range: The great focal length range taken by the lens from wide angle to super telephoto allows it to be effective in many photographic situations.
Versatility: A lens that can be used for many subjects including landscapes, portraits, wildlife, and travel photography.
Good Image Quality: With generally sharp images of good contrast and color accuracy, it performs across most of the zoom range.
Compact Design: For a superzoom lens, this is relatively compact and therefore it is easy to handle and carry around.

Disadvantages:

Variable Aperture: The f/3.5-6.3 range gives less low-light performance and a limited depth of field as compared to a lens with a wider maximum aperture.
Softness at Extremes of Focal Length: There is good sharpness at the wide and standard lengths and some softness and reduced sharpness at the extreme telephoto end (400mm), which is typical for a superzoom lens. Stopping down the aperture improves sharpness but does not usually take away the issue.
Distortion and Chromatic Aberration: A lot of distortion (especially barrel distortion at the wide end) and noticeable chromatic aberration can be found, although most cases are easy to correct in post-processing.
Autofocus Speed and Accuracy: The autofocus system is a bit less speedy and accurate, as it would usually be in higher-end lenses particularly in low-light or complex scene conditions.

Decision

The Tamron 18-400 mm f/3.5-6.3 Di II VC HLD is perhaps one of the finest options when it comes to being a very versatile super zoom lens and very affordable super zoom lens among all APS-C DSLR users. One of the best features of this lens is its wide angle to telephoto with an extremely long range that can provide a great deal of flexibility to photograph so many of the different things. A design like this is a good compromise in size, weight, and performance, making it an ideal choice for travel photography and general photography wherein changing lenses could be an inconvenience.

The drawbacks of the Tamron 18-400 mm f/3.5-6.3 Di II VC HLD concern a variable aperture limiting low-light performance, softness at extreme focal lengths, and they do not merit this lens as a non-value proposition for the cost. The absolute advantage is broad versatility and decent image quality at a price point, which positions it strongly in the superzoom lens market among very competitive prices.

The Tamron 18-400 mm f/3.5-6.3 Di II VC HLD is a consideration for a photographer looking for a one-lens solution with a very broad range of focal lengths, but in reality, it is going to give some good trade-off between the features, performance, and affordability of this option compared to having specialized lenses.