Tanchjim Ola

amazon Tanchjim Ola reviews

With the dizzying rapid growth in the in-ear headphones market, audio companies are continuously launching IEM models at accessible prices for many users after successfully developing a name on the music forums and foreign sound instruments in general. Just to the middle of 2022, Tanchjim – a company based in China, specializing in the production of major audio equipment such as IEM – has tried to enter the low-cost headset market with the Ola model. With a completely different direction compared to heavyweights like Moondrop, Dunu, and Tanchjim Ola promises to bring users a new and different sound quality, not following the current trend but still satisfying the requirements.

Specifications:

Driver configuration: 1 DD

Impedance: 16Ω±10%@1kHz

Sensitivity: 126dB/Vrms@1kHz

Frequency response: 7kHz – 45kHz

THD: <0.3%@1kHz 94dB SPL

Pin type: 2-pin 0.78mm

Accessories included in the box include:

Tanchjim Headphone Case

Quick User Guide

Instructions for use

Warranty

QC stamps

3 pairs of earplugs size S/M/L increase Bass

3 pairs of earplugs size S/M/L increase treble

1.25m headphone cable (with mic for talk and stop/play button)

Design, finish, soundproof level

Different from the typical triangular design on its higher-end models such as New Hana, Oxygen, and Echo, the company has chosen a more compact design direction for Ola, bringing a comfortable wearing feeling for many people. More users, easier product experience. However, what has prevented Ola from becoming a perfect headset is the product’s headset. The earphone tube has a relatively large radius, which may not be suitable for some users with narrow ear canals, failing to create the desired sound quality of the manufacturer. Fortunately, this limitation can be overcome with the use of third-party supplied earplugs, and Ola’s ear tubes are compatible with many models on the market.

Ola’s appearance is built with a combination of an aluminum metal face and a transparent plastic shell. Along with a minimalist design, there are not too many outstanding details on the face of the headset, the weight of the product is very light, and when worn it does not usually slip out of the ear quickly or cause ear fatigue when used for a long time.

Like most other dynamic driver-enabled headphones, to avoid the phenomenon of the diaphragm being excessively pressed, causing bending when inserted in the ear, Ola has an air vent support, as well as the sound insulation level of the product. The product is not too impressive, only suitable for listening to music in quiet environments such as the office, at home…

where can you get a Tanchjim Ola online

TANCHJIM Ola Dynamic Driver HiFi Waterproof in-Ear Earphone with Detachable Cable DMT4 IEMs (Without Mic): Buy it now

Tanchjim Ola 10mm Dynamic Driver IEMs, DMT4 Architecture HiFi in Ear Earphone (with Mic): Buy it now

Fanmusic TANCHJIM Ola Dynamic in-Ear Earphone Lightweight Non-fatiguing Wearing HiFi Earbuds (with mic): Buy it now

Sound quality

This product sound quality review article is made based on:

– Type of earplugs: earplugs included in the box (regular use); Moondrop Spring Tips size M, Final Audio type E size M (for regular use), Spinfit CP100 size M.

– Cord: the cord comes in the box (for regular use); TRN T2.

– Detachable DAC/AMP: JCally JM06, Apple’s type-C to 3.5mm adapter, xDuoo XD-05 Plus (MUSES02 opamp; lowest gain mode; no bass boost switch) (use) frequent).

– Source: Hiby R3 Pro Saber (regular use), Samsung Note 10+; audio file types format MP3, FLAC (frequently used), WAV, DSF (DSD64, DSD128)…

With a sensitivity of 126dB/Vrms@1kHz and an impedance of 16Ω±10%@1kHz, Tanchjim Ola blends well with most devices with audio output.

Tanchjim Ola’s sound quality is neutral and bright: the midrange and treble have more volume than the bass range.

Bass range:

As a headset model with the ambition to bring users a new sound quality, the bass range on Tanchjim Ola has absolutely no significant emphasis on quantity: flat and neutral, somewhat thin. This product does not reproduce the tension of bass at all, the frequency range is not extended like other famous models on the market, and in short, the sub-bass range is almost absent. Sound detail in this range is not too impressive; The texture of the electric bass, bass drums, or piano bass notes doesn’t stand out against the music. This can be a good point, but it also hides the disadvantages of customizing the sound quality in this way. Tanchjim Ola will be more suitable for a range of users who are not too demanding on the amount of bass; Just need a light amount of bass to listen to acoustic, classical, medieval, and light Japanese music…. With low bass sound quality, this headset model can be used when taking a short nap or doing light work, because this bass volume will not be distracting and can cause headaches after a long period of listening to music.

These special factors will not apply to a large number of users who love a lot of basses, because Ola’s sound quality will be viewed in the direction of “very thin” and “lack of force”. Genres such as EDM, pop music, or tracks with a lot of information in the bass range will not be displayed vividly, easily boring quickly. In short, the bass range of Tanchjim Ola will be the characteristic that determines the “hit-or-miss” and mixed emotions of the user.

Mid-range:

One of the other features that Tanchjim Ola wants to focus on is how to reproduce the midrange. Piano notes, electric guitars, and electronic instruments in this range are very well retrieved and responsive. Accompanied by a small amount of bass, Tanchjim Ola can easily handle tracks with a lot of audio information in a simple way. For vocals, this product, although unable to reproduce a muscular male voice, completely loses the bass power and tends to “thin” and dry out the fullness, partly due to the limitation of the bass range, but with a strong voice. female, every detail in the vocal part is carefully extracted; advances but does not push the consonants into friction in the vocals or detract from the integrity of the voice. In general, for those who love the midrange range or often listen to music containing female voices, or simply use this headset model with ASMR genres, Tanchjim Ola will not only satisfy users but also It can make a strong impression after the first experience.

Treble range

This will probably be a band of mixed emotions for most listeners. On the one hand, the treble strip retrieves sound details very well, it can be said that Tanchjim Ola has won this segment in the low-cost segment. Percussion types are presented as clean, bright, and responsive but not too technical. The music is presented in an airy way, without creating a sense of mystery thanks to the low amount of treble being pushed up.

On the other hand, because the treble range is somewhat pushed up, Tanchjim Ola will not “hold my hands” on songs that are not well recorded and make percussion such as gongs and cymbals sound harsh at high volumes. The audio information in this range in many tracks is not reproduced smoothly, the quality is quite rough. Fortunately, the way Ola performs in the treble range does not push the consonants into friction in the voice or highlight certain frequency ranges because if accompanied by an unremarkable amount of bass, it can create a harsh and thin sound.

Soundstage, timbre:

Regarding the soundstage array, Tanchjim Ola’s performance is not impressive when simulating all three dimensions of spread – right – depth, sound information is presented in a rather narrow space. This can be overcome with suitable earplugs such as Final E Type, and SednaEarfit Long to push the earphones away, but can change the sound quality, especially in the treble range of Tanchjim Ola. In contrast, the instrument positions are shown separately, especially in some pieces with a lot of sound information playing at the same time, there is no secret phenomenon, of sticking the instruments together.

The sound quality of an earphone affects the timbre of the audio information, and with Tanchjim Ola, because this model does not have enough bass to reproduce the low force of a male voice, the low notes of a piano, or the bright treble strip highlights the types of percussion but at the same time the quality is not very good, the overall timbre of Ola is thin, bright and somewhat sharp.

Compare

Compared to FiiO FH1S:

In terms of accessories, users can hardly doubt the quality of the accessories that come with the product that FiiO brings. In the earphone audio market, FiiO is one of the rare brands that gives customers confidence in the number of accessories included, along with materials that are more about practicality than style. The HB1 model pelican box is made of very hard but lightweight plastic is completely waterproof and has a soft material inside to reduce shock when carrying the headset, which is different from the fabric earphone bag that comes with Tanchjim Ola.

The design language of the FH1S and Ola both depends on the user’s taste, but in terms of ergonomics, thanks to the smaller ear canal and the ear body designed to help the headset easily grip the ear, the FH1S will be the choice for those who want a headset that can be worn comfortably for hours without slipping or causing ear fatigue, due to its relatively lightweight. However, with Ola’s compact body, it can be compatible with a larger number of users because it does not take up the too much-twisted area under the ear.

Both of these products have different goals when targeting users. While Tanchjim Ola is aimed at users who want a sound without much bass, a gentle; mid-range with not too bright details, FiiO FH1S is suitable for listening to electronic music without words thanks to the extremely vivid bass, the mid-range is pushed back quite deeply to recreate the wide space in the song, accompanied by traditional V sound quality customizations with emphasis on treble detail.

The sound quality of the FH1S also brings some notable disadvantages, most notably the way the FH1S reproduces the mid-range. This sound quality not only loses the fidelity of the main mid-tone instruments such as piano, guitar, and bass in male vocalists, but the female singer’s voice is also pushed up quite high, at the same time pressing strong relative friction consonants. The bass range of the FH1S has a relatively large amount compared to the Ola, but the quality of the bass range can vary depending on the genre of music. For instrumental electronic music, K-Pop, or pop music in general, the FH1S can reproduce relative seamlessness, without the phenomenon of interlacing bass notes if detailed requirements are in place bass range is not too strict. The bass elasticity of the FH1S is better than that of Ola and other competitors in the price range, providing a sense of vibration in the ear. But for jazz songs with many bass notes happening at a fast speed, or genres of acid jazz, funk, rock… FH1S cannot separate notes, blurring details. The volume in the mid-high and treble ranges is increased to avoid frequency masking, but it means that the timbre is distorted, and not accurate. It can be said that, FH1S that a version has an opposite direction compared to Ola in terms of sound quality.

In general, Ola and competitors in the same price range have been careful to bring special requirements for sound quality, but the disadvantages that come with customizing the sound quality in a certain direction all bring about common disadvantages, partly due to the nature of the speaker inside the product.