amazon Tokina 16-28mm f2.8 AT-X Pro FX reviews
Until the 1960s and 1970s, the zoom lens was still of poor quality. The prime lens still excels in optical quality. The advantage of lens-shifted focal lengths is noticeable, but improving the optical quality of them is impossible.
Nikon began developing zoom lenses in the late 1950s and they released their first two zoom lenses in 1959, at the same time the Nikon F appeared on the market. Both of these lenses – 85-250 / 4-4.5 and 35-85 / 2.8 – all lag behind the prime lens. Three and a half years later, the 43-86 / 3.5 and 200-600 / 9.5-10.5 are up to the user, but the situation is not good.
For an unconfirmed reason (possibly due to a disagreement), a group of Nikon engineers and administrators decided to split up, setting up a new company to focus on tube research. Zoom glass Initially, they were an OEM, specialized in components for other manufacturers, but since the early 1970’s, Tokia has officially entered the market.
Reviewing Tokina’s lens list, there are very few prime lenses. Tokina even introduced the fisheye zoom lens, whereas this type of lens used to have only one focus.
Tokina along with Sigma, Tamron is the third party to produce a well-known lens (such as Sigma, Tamron, and Tokina are known as “third-party lenses”). Tokina goes in a separate direction when providing the best lenses in a particular segment instead of the whole cheap segment. Crop players must have eyes at AF 12-24mm f / 4 AT-X Pro DX and AF 11-16mm f / 2.8 AT-X Pro DX
However, to expand the “playground” as well as the market, Tokina has launched the 16-28mm f / 2.8 AT-X Pro FX wide-angle AF Tokina. This is a bold step by Tokina because the Nikon or Canon users already have some super-wide super-wide available for selection.
But apart from the quality, this lens is attractive compared to AF-S 14-24 / 2.8 or AF-S 17-35 and AF-S 16-35 VR …
where can you get a Tokina 16-28mm f2.8 AT-X Pro FX online
Tokina AT-X Pro FX 16-28mm f/2.8 For Canon: Buy it now
Tokina AT-X 16-28mm f/2.8 Pro FX Lens for Nikon: Buy it now
Tokina 16-28mm f/2.8 AT-X Pro FX Lens for Nikon (International Model) No Warranty + Deluxe Cleaning Kit Bundle 1: Buy it now
Tokina AT-X 16-28mm f/2.8 Pro FX Lens for Canon: Buy it now
Like the 14-24mm f / 2.8 or the Sigma 8-16mm f / 4.5-5.6, the Tokina 16-28mm f2.8 is a round spherical glass that can not be fitted with conventional filters. There will be fears of scratching the lens when we are not careful.
Tokina tubes are also famous for their strong, popularly known as Tokina 12-24mm f4, which works well after many falls or shocks.
Tokina AF 16-28mm f / 2.8 AT-X Pro FX has a new feature called “silent DC Motor”. This is a smooth-focus motor, in fact, so there is no “lucrative” style like many older lenses in focus. Most people who use the Nikon AF-D tube will feel the best.
Ultra-wide angle lenses often produce distorted images, which is normal, but Tokina in general and 16-28 mm f / 2.8 tubes in particular, the control distortion is quite good. At 16mm the photos are distorted but actually many more tubes are distorted than that and may be only inferior to Nikon 14-24m Nano. In particular, the lens reduces distortion very fast when taken at 20mm and at focal length of 24 mm, the meter is very small and difficult to detect.
The AT-X Pro FX has excellent mid-focal length even when shooting at f / 2.8 at 16 mm, but at the edge of the image it should be about f / 4 and not have to complain when shooting from f / 5.6 over.
Purple lace is often found on previous Tokina tubes, this tube is no exception but really greatly improved and you do not have to worry about this problem especially nowadays in the RAW image editing software.
Conclude
The Tokina AF 16-28mm f / 2.8 is a very good optical wide-angle lens compared to its competitors, such as the Canon 16-35mm f / 2.8 USM L II or Nikon 17-35mm f2.8. An excellent choice in wide-angle coverage.
Many will wonder why the biggest focal length is 28mm and not 35mm. This also becomes more reasonable because 35mm focal lengths are more user-friendly with fix tubes or it is also available in the midrange 24-70mm.
The only downside to the competition is that at f / 2.8 and wide-angle shooting, the edges are not as sharp. However, the word f4 and especially from f5.6 over, it is no longer a problem. The lens produces very sharp images.