amazon Dunkirk reviews
Dunkirk talks about a real historical event in World War II between the Allied Forces and the Nazis in the French city of Dunkirk in May 1940. Three days delayed with a stiff strike. Gerd von Rundstedt and Günther von Kluge helped the Allies get the chance and time to rescue 330,000 soldiers through the Dynamo campaign launched by British Prime Minister Winston Churchill.
Historically, the Dynamo Campaign lasted from May 26 to June 4, 1940. When surrounded by the German army, the British were only able to retreat by sea. They use all the means in their hands, including small boats and fishing boats, to escape the alkaline ring.
That is history, and Christopher Nolan was very skillful in portraying this rescue in a very choking manner. Unlike other WWII films such as Saving Private Ryan or Hacksaw Ridge, Dunkirk does not use horrible “frames” of dead bodies, bombs everywhere to transmit the horror of war. Nolan deftly casts a lot more on viewers’ psychology through the events and circumstances of the characters, evoking the utter terror of all things. Frames, voices, and especially breathtaking chattering sounds.
Usually a good movie is appreciated in the image, especially a war movie. There is something under him with Dunkirk, the design of the sound is unbelievable, it plays an important role in all of Dunkirk’s progress. To tell you many times that the upcoming movie is tense and do not know how to … startled.
Another detail I like in Dunkirk is the narrative, which seems to have been borrowed by Nolan from Memento (an excellent work of his in 2000). With Memento, Nolan cleverly intermixed a normal black and white story and a story of “snatching” each passage in the opposite direction of time and two stories “collide” at the end of the film. Make a unified story. As for Dunkirk, at the beginning of the film Nolan introduced three different timelines (one week, one day and one hour), three different spaces (land, sea and sky), three stories, three Different characters with different perspectives and perspectives, all will intersect at Dunkirk.
The film has very few dialogue scenes, and does not appear to have the protagonist in the film. But I see the most significant role is the performance of commander of Bolton Navy (Kenneth Branagh), pilot Farrier (Tom Hardy), and especially Dawson (Mark Rylance), a real hero drove My yacht headed for Dunkirk.
Nolan is also genuinely talented as the beach metaphor at Dunkirk as a “purgatory” for trapped soldiers. The house is right in sight (as the officer said to his superiors) and the hell is next door, just a sea barrier.
I highly appreciate the sound above but does not mean that the image of the movie is bad. It’s also great with gray-gray tones, fuzzy haze that seems to make things get disconnected with time and space. You are immersed with each character through three different timelines that are constantly changing to see you in battle.
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Speaking of the film’s lack of judgment, the film focuses on the British expeditionary force, completely unspecified of France’s role in the Dunkirk event, while its history shows the role of France in This event is also very important. Also, the rotational structure of the film sometimes makes me a little awkward. There are times when I do not know whether I’m watching the same event from another angle, or whether it’s at another time.
But that’s just a small matter of my point of view, and I may not be able to keep up with the timing myself. As I say Memento, it will finally collide and you will see the whole scene of the story, the intersection between the characters and the last one is: BACK TO THE HOUSE.
Maybe due to immersed in the movie too so I have the feeling of too short films, not any good. With three different timelines, spaces and people, Nolan was so clever that he did not describe the horrors of war through the big scenes of corpses that were the psychological evolution of every human being, Every little thing, every little action to portray every human being: heroes, subordinates, … As Nolan has pledged to make the film as realistic as possible, by staging battles. It’s so real that actors and cameramen really capture the sensation of a war in all respects. Indeed he succeeded.
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