amazon The Mummy reviews
The film opens with an archaeological team excavating an ancient tomb. A mysterious character appears and asks everyone to leave the scene and deliver him back to the tomb. The character then speaks a lot of intriguing questions to curious viewers. After some scenes on television, we come to the story of the female side evil character – Princess Ahmanet – to understand her private life story. This is also the source of the movie content.
The first half of Mummy made me excited. Content not to the extent of dramatic hard to guess, but considering the “quality” of entertainment is quite good. See Mummy that I feel like playing Evil Dead Regeneration game, where zombies are so out of the sky. Movies occasionally have the double threat of startling players like horror movies.
Personally, I find Mummy movies not bad, but if it’s good or not, it’s not that bad. There are many circumstances you can guess the content, not even a lot of drama. Character introduction is quite vague and does not clarify the love story of the couple in the film makes me feel not convinced. Especially when Mummy’s late-term acting feels like watching a novel loving movie. At the viewer’s point of view, I think the movie can be longer, focusing more on the character’s love story, it will be more attractive and satisfying. But the final battle was disappointing. Even when it made me feel quite illogical.
Female lead Jenny Halsey (Annabelle Wallis) is also beautiful but acting is not impressive. She was a bit “stiff” and did not show any emotions for the character. If I’m not mistaken then Annabelle plays Maggie in King Arthur: Legend of the Sword is shown recently. But this movie I do not watch, but just realized she plays Mia in horror film Annabelle. The name of the film that coincides with her name is probably coincidental.
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The Mummy (2017): Buy it now
The Mummy (2017) [Blu-ray]: Buy it now
In return, the evil shoulder (Sofia Boutella) in the show is more beautiful and acting is better than the female lead a bit. She played a lot of movies that I guess moviegoers have known. My favorite role in Sofia is Eva in StreetDance 2. The last boss role in Kingsman: The Secret Service is quite impressive in action. Ahmanet’s role is really impressive about “career status”. At first, this character had a brilliant performance, pretty “unmatched” and almost “invincible”, but later I did not understand what is happening. Although more and more sharp and stronger, but the character suddenly “down” unexpected. Feeling like the first half of the film, talented writers have thrown out some cool ideas to attract viewers. At the end of the film they do not know how to solve the problem, then “de-buff” character for the movie ends.
Nick Morton played by Tom Cruise has nothing to say. Still a familiar way of acting from the series Mission Impossible, sometimes funny, sometimes looks quite honest (but actually pretending). Most of the movies played by Tom Cruise are characters like this, so I do not like it. It’s so familiar, in other words, that I’ve already mastered this character style. Although in the movie, Tom Cruise’s character brings a bit of laughter to the audience but his sense of fame is used to draw viewers to the cinema.
Actually, I do not encourage you to watch this movie unless you just want to see something for pure entertainment. The dark universe sounds good, but the characters in it are not attractive. Furthermore, the reboot version of the Mummy series, but really the 2017 version can not overcome the overwhelming shadow of the movie in 1999. There is no sense of “mummy” in it. The content is not what you imagine or think it will look something like the 1999 version.
Plot and Storytelling
The Mummy begins with a prologue set in ancient Egypt, where Princess Ahmanet (Sofia Boutella) is betrayed by her own family and mummified alive as punishment. Fast forward to the present day, and the narrative shifts to Nick Morton (Tom Cruise), a soldier of fortune and scavenger of ancient artifacts. Morton and his partner, Chris Vail (Jake Johnson), stumble upon Ahmanet’s tomb while on a military operation in Iraq. Their discovery unleashes a series of supernatural events as Ahmanet is awakened from her eternal slumber, seeking to reclaim her lost power and unleash chaos upon the world.
The film struggles with its storytelling, particularly in the first half. The setup of Morton’s character and his introduction to Ahmanet’s curse feel disjointed and somewhat forced. The narrative tries to balance action, horror, and mythological elements but often falters in achieving a seamless integration of these components. The plot is predictable and follows a rather conventional path, which undermines the potential for intrigue and suspense.
Character Development
Tom Cruise’s portrayal of Nick Morton is central to the film, and while Cruise’s charisma and physicality are evident, his character lacks depth. Morton starts as a roguish artifact hunter but undergoes a transformation that feels rushed and inadequately explored. The screenplay does not invest enough in his character arc, resulting in a protagonist who is more of a vessel for action sequences than a fully developed individual.
Sofia Boutella’s performance as Ahmanet is one of the film’s highlights. Her portrayal of the vengeful mummy combines elegance with menace, and her physical presence is both captivating and intimidating. However, the character’s backstory and motivations are not deeply explored, which diminishes the impact of her role as the antagonist.
Supporting characters, such as Jenny Halsey (Annabelle Wallis) and Dr. Henry Jekyll (Russell Crowe), offer glimpses of potential but are ultimately underdeveloped. Jenny’s role as the love interest and academic is standard and lacks significant depth, while Crowe’s brief appearance as Dr. Jekyll serves as a setup for future films in the Dark Universe rather than a fully realized character in this installment.
Visual and Special Effects
One of the film’s strengths lies in its visual and special effects. The action sequences are well-executed, with impressive set pieces and dynamic camera work that showcase the film’s high production values. The CGI used to bring Ahmanet’s supernatural abilities to life is visually striking, with moments of horror and spectacle that are effectively realized.
The film’s depiction of ancient Egypt and the mummy’s curse are visually compelling, creating an atmospheric backdrop that enhances the horror elements. However, the overreliance on CGI in some scenes detracts from the impact of practical effects and diminishes the sense of tangible danger. The film’s ambition to blend traditional monster movie aesthetics with modern effects sometimes results in a clash of styles that feels inconsistent.
Music and Sound Design
The score by Brian Tyler and the sound design play a crucial role in setting the tone of the film. The music is a mix of orchestral compositions and modern beats, designed to enhance the action and horror elements. While the soundtrack is engaging, it does not always resonate with the thematic depth that the film aims for. The sound design effectively amplifies the suspense and intensity of key scenes, but the overall impact is somewhat diminished by the film’s uneven pacing and storytelling.
Direction and Production
Alex Kurtzman’s direction of The Mummy demonstrates a clear vision of blending action and horror, but the execution falls short in terms of coherence and narrative depth. The film’s attempt to launch a new cinematic universe is evident, but the focus on setting up future installments often comes at the expense of the current film’s storyline and character development.
The production design is notable for its attention to detail, especially in recreating ancient Egyptian settings and artifacts. However, the film’s ambition to balance a grand cinematic vision with a cohesive narrative results in a mixed outcome. The desire to establish a franchise sometimes overshadows the need for a compelling standalone story.
Impact and Reception
The Mummy was intended to kickstart a new era of monster movies under Universal’s Dark Universe banner. However, its reception was lukewarm, with critics and audiences expressing disappointment over its execution and storytelling. The film’s struggles with character development and narrative coherence contributed to its lackluster impact.
The Dark Universe, which aimed to revive classic monsters like Dracula and Frankenstein, faced a significant setback with The Mummy‘s performance. The film’s inability to capture the imagination of viewers and critics has raised questions about the future of the franchise and the effectiveness of cinematic universes in reviving classic genres.
Conclusion
The Mummy (2017) is a film that combines elements of action, adventure, and horror in an attempt to modernize and rejuvenate the classic monster movie genre. While it features impressive visual effects and a charismatic lead performance by Tom Cruise, the film struggles with its storytelling, character development, and pacing. The attempt to establish a new cinematic universe, the Dark Universe, adds an additional layer of ambition but also contributes to the film’s uneven execution.
Overall, The Mummy serves as an example of the challenges faced by modern reboots and cinematic universes. It highlights the difficulties of balancing a grand vision with the need for a compelling, standalone narrative. While it has moments of visual spectacle and entertaining action, it falls short of becoming a memorable and cohesive addition to the monster movie genre.