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amazon Fujifilm X-A1 reviews
The Fujifilm X-A1 is the most lightweight and compact camera from the Fujifilm product line. This is the most different member of the X Series in that it does not use Fujifilm’s proprietary X-Trans sensor, but rather the standard APS-C CMOS. However, X-A1 still has huge surprises in terms of excellent image quality and would not differ too greatly from X-M1 if users mostly take JPG pictures and use less raw.
Along with the 16.3-megapixel, it brings a 49-point focusing system, ISO sensitivity 200-4400, speed of continuous shooting 5.6 frames per second, and full HD 30 frames human video. The Wi-Fi permission also enables remote control on top of image sending and receiving with smart mobiles using iOS or Android.
The Fujifilm X-A1 appears identical to the Fujifilm X-M1 when looking at nothing but the black version, but it varies quite a bit in the other color options. The silver version, unlike the X-M1, is not available, so the Top half of the X-A1 in dark black and blue is quite clear plastic material so only good for young users. The ‘fuji’ appeal would be more evident to the other two versions as for red, it has a very metallic silver part. Overall design does not vary a great deal from the seniors, yet the choice of colors gives this model an audience who just put it very differently.
The X-A1 is extremely compact, one of the smallest mirrorless models completely available now. There is a slightly raised front zone that houses a small section with spines that are plastic which make the thumb for the thumb, as it were, so that one can manage the machine with one hand, with the other providing support on the body and lens under easy shooting conditions.
Control on X-A1 is very basic but good enough for various shooting conditions. Aside from the wheel mode, the wheel usually adjusted to change the brightness is quite comfortable (writers would use shooting mode A for most situations). The small rear wheel can be used to adjust the lens with no lenses on the body or manipulate the zoom when outputting playback. In the event of observing pictures, instead of requiring multiple stages zoom, the user only needs to hit the shutter button for it to go to continuous shooting mode; the picture zooms automatically to the highest level at the focus point allowing the user to check image sharpness right after shooting.
Also, the Q key has been assigned as a fully reasonable option where settings for the snapshot and capture could be displayed should the user require them. Just as quickly, one of its conveniences could be called white balance when pressing the WB button for quick modes- Custom allows for only white frame taking, and the machine will self-select K.
For the function-keys on the upper side, parameters for desired setting can be selected by the user. Writers usually would press this button for ISO level settings or change. It also serves as a fast access button for Wi-Fi sharing of photos/videos with mobile devices (software must be installed for iOS or Android). Very handy.
The downloader is like near heart attack combined with sweat on the forehead for endurance in flashing mode. With the flash turned on, the head lamps will throw forward, producing wide shots and giving better access to the lens than the built-in lighting system of the camera body.
where can you get a Fujifilm X-A1 online
Fujifilm X-A1 Body – Blue Compact System Camera, Body Only: Buy it now
Fujifilm X-A1 Kit with 16-50mm Lens (Black): Buy it now
Fujifilm X-A1 Kit 16-50mm (Indigo Blue): Buy it now
This new model from Fujifilm is a compact mirrorless type with a 3-inch LCD that’s exceptionally sharp at 920,000 pixels. The colors are somewhat “flatter” compared to the real image but not too far off. It’s nicely wide, and outside, it’s not too good with glare. The LCD features a flip that facilitates the capture of both high- and low-angle shots, although the exposed connectors may raise concerns regarding longevity for some owners.
It is most unfortunate, though, that in arriving at the X-A1 specification, an APS-C CMOS sensor with the traditional Bayer color array was chosen, and not Fujifilm’s proprietary X-Trans sensor. This is, of course, what makes the price of this machine significantly lower than that of the X-M1. Both X-M1 and X-A1 share 16.3-megapixel resolution with a dimension of 23.6 x 15.6 mm.
Differences in image quality between two machines with the same sensor are very difficult to distinguish among the newbies, the target audience of the X-A1, especially when leaving JPGs as unique formats of pictures. Still, Fujifilm undeniably found color expression in this X-A1 that was magnificent, albeit not in the same sensor tech category as what the X series would have left. It is respectful of human skin-tone rendering and will impart a warm-yellow-honey-gold complexion. Contrast gives an extra edge in the standard mode against its peers, thus enhancing resolution and clarity.
With the X-A1, the test photo was captured at the maximum available resolution, in Fine mode, which is the best setting for JPGs, with each file weighing in at around 6 MB. Noise control was good within the limits of its usability, from ISO 100 to 6,400, while at 12,800 noise becomes evident. It is still useable for thumbnails, while at ISO 25,600, the noise becomes overbearing, while not past the point of utility. The real noise for RAW images kicks from ISO 800 and ISO 6400 is the limit as far as the camera supports it.
With an X-A1 that is speedier compared to other relatively dear models, namely the X-E1 and X-Pro1, with the EXR II, the shutter lag is almost impossible to perceive at 0.05 seconds. Button to SD/SDHC/SDXC card recording is quite fast during shooting with RAW, and this delay can be up to 5 seconds.
The continuous shooting of the camera is such that 5.6 fps in succession for about 30 high-quality JPEGs or for 10 RAW images depending on the memory card. It can shoot up to 50 JPEGs at a rate of 3 frames per second.