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amazon Tamron 17-50mm f2.8 XR Di II reviews
Camoran’s patented product, the Tamron SP AF 17-50mm f / 2.8 XR Di II Par LD Asperical [IF], was launched by the company in 2006. The super-branded product lens is focused on the mainstream photographics audience. The non-vibratory compensation client from the Tamron 17-50mm f/2.8 series 2-pronged by usual people would be the Tamron 17-50mm f/2.8; it costs only about 100 bucks. This lens is equal to the Canon 18-55mm lens kit in focal length; however, it is superior in quality.
The world generally holds a bias toward lenses produced from third-party manufacturers like these: sigma, tamron, samyang, and other similar companies, with their respective lenses carrying such names, for example, lens for for canon, lens for nikon).
Such wrong notions are based upon vague discrimination to an extent; that is, lenses from third companies would be definitely worse than authentic Canon lenses. It is simply not true. The third company such as Sigma, Tamron is very careful in giving their products the best features, yet competing fairly prices. So realistic comparison brings that many Sigma lenses, Tamron super quality top that Canon lenses also have to lose. That is way, still living, and well of the third lens company is by the quality-price contest. Their products have a voice and attract a large number of users.
More than anything, the Tamron 17-50mm f / 2.8 non VC performs better than the 18-55mm STM lens in sharpness, detail when blown up, a big mouth, and good fonts. Well, Tamron 17-50mm f / 2.8 non VC is at least equal to at least about a 40mm f / 2.8, whereas the focal length is much better, the color also much more real. A lens worth buying is proven to the requirement.
Compatible: Tamron 17-50mm f / 2.8 non VC for a 1.6x cropper. Full image is fresh on a cropper, unlike on the EF-S lens that can be fitted, crops on 1.3x crop and full-frame, but the image will be blacked out.
Strengths of lens include:
– Sharp very good details in
– True colors
– Good compared to the quality price
– Could be used in professional work.
Weak points:
– The f/2.8 is somewhat soft
– Future resale loss Digital
– SP: Super Performance: The best quality lens of Tamron
– XR: (Extra Refractive Index) Glass- Lens contains a special lens with high refractive index, which helps improving the image quality.
– LD: (Low Dispersion)- A component used to improve sharpness and aberration of the lens.
– IF: Internal Focusing (IF) System- Focus of the system is in a lens, which doesn’t allows increasing or shortening the length of the lens-while focusing.
Tamron 17-50mm f / 2.8 non VC is equally sharp as 40mm f / 2.8. While the details are superior, the colors are more subtle, more subtle. The color of Tamron 17-50mm f / 2.8 non VC is equal to 50mm f / 1.4 or 85mm f / 18 of Canon. You can use Tamron 17-50mm f / 2.8 non VC to take portraits, fashion, yearbook, artwork … About removing Tamron 17-50mm f / 2.8 non VC will not delete many fonts. Like 50mm f / 1.8, though it erases better than the 40mm f / 2.8 and lens kit.
where can you get a Tamron 17-50mm f2.8 XR Di II online
Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical (IF) Lens with hood for Canon DSLR Cameras:
Tamron SP Auto Focus 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens with Built In Motor for Nikon Digital SLR: Buy it now
Tamron SP AF 17-50MM F/2.8 XR Di II LD Aspherical (IF) for Sony (Model A16) – International Version (No Warranty): Buy it now
Tamron AF 17-50mm F/2.8 XR Di-II LD SP Aspherical (IF) Zoom Lens for Konica Minolta and Sony Digital SLR Cameras (Model A16M): Buy it now
Tamron SP 17-50mm F/2.8 XR Di-II VC LD Aspherical for Nikon APS-C Digital SLR Cameras (6 Year Tamron Limited USA Warranty): Buy it now
Optical Performance
Aperture and Light Gathering
The design feature that stands out the most about the Tamron 17-50mm f/2.8 XR Di II is the fact that the constant maximum aperture of the lens is f/2.8 throughout the zoom range. This allows supreme low-light performance in addition to control for depth of field effects. As mentioned earlier, this wide aperture makes the lens excellent in low-light conditions for indoor shots, night shooting, and creative applications demanding shallow depth fields.
Image Quality
The quality produced is also said to be astonishing in terms of the price. Sharp images are produced by this lens with a good deal of contrast and color accuracy. At the center of the frame, sharpness is consistently high across the zoom range, while the corners exhibit some softness, particularly at the widest aperture settings. Stopping down the aperture improves sharpness across the entire frame, with f/4 to f/5.6 being the sweet spot for optimal image quality.
Distortion and Chromatic Aberration
Minimal distortion is recognized in the Tamron 17-50mm f/2.8 XR Di II. This makes it commendable as a zoom lens of this price range. Barrel distortion is present at the wide end (17mm) but control is relatively well and not usually noticeable at most pictures. Chromatic aberration tends to be kept to a minimum, although in high contrast situations some fringing might be purple. This is characteristic of all lenses of this kind and can be corrected in post-processing if needed.
Flare and Ghosting
This lens has a multi-coating that reduces, but does not eliminate, flare and ghosting. Some flare and ghosting are produced, but not to an excessive degree. This effect can generally be minimized by using a lens hood or varying the angle of shooting, thereby improving image quality in poor lighting conditions.
Bokeh and Depth of Field
The lens yields a smooth bokeh and nice depth-of-field effects, which are particularly important in portrait work and macro photography, where a shallow depth of field can create a more dramatic image. The 7-blade rounded aperture of this lens helps to create soft, smooth bokeh, which enhances the separation of the subject from the background.
Auto Focus and Manual Focus
Autofocus Performance
The Tamron 17-50mm f/2.8 XR Di II comes with an internal focusing (IF) setup to create a fast and precise autofocus feature. The lens carries a built-in motor, which makes it great for both stills and movies because it allows rapid focusing but quite silently. Most conditions, such as daylight and household but not in very dark or very low-contrast scenes, allow for good working of the focus.
Manual Focus
With a full-time manual focus override available, photographers will appreciate the indignation that comes from fine-tuning focus even while the autofocus system is on. The adjustment of focus is precise because the manual focus ring is smooth and damped well. The resistive action of the focus ring is pleasant, which will make it comfortable to achieve the proper focusing for creative composition and detailed pictures.
Versatility and Use Cases
Photography in a general context
The Tamron 17-50mm f/2.8 XR Di II lens is a versatile model for different types of photography. The range of focal lengths (17-50 mm) covers a fairly large spectrum from wide-angle to a short telephoto, which makes it perfect for landscapes and portraits and, generally, everyday shooting. Also, the constant f/2.8 aperture makes it even more attractive because it maintains performance throughout the zoom range, effectively lending some creative use of depth of field as well as increasing low-light capabilities.
Landscape Photography
The lens is particularly suited for landscape photography because of its wide-angle capabilities. It captures large scenes with good sharpness at the 17mm end, bringing in minimal distortion. With f/2.8, landscapes can be captured in varied lighting conditions, yet increasing depth of field, as well as implied sharpness over the frame, will be even better using f/8 or f/11.
Portrait
The constant f/2.8 aperture comes in handy while shooting portraits, as it permits shallow depth of field and smooth bokeh. The 50mm focal length has a nice perspective for doing portraits, and the tack-sharp detail is guaranteed to keep those facial details in crisp, clear focus. Portraits taken stand or whole body or part of the subject frame can both use this lens.
Event and Indoor Photography
Wide aperture and focal length ranges are hard to beat for event and indoor photography. At f/2.8, the lens works well in low light, making high ISO settings or flash redundant. Of course, framing shots can be quite flexible since such a zoom distance can capture candid moments as well as group shots very comfortably.
It brings travel photography equipped with a Tamron 17-50mm f/2.8 XR Di II which is easy to carry, compact and light, covering a growing range of versatile focal lengths. Furthermore, it has a constant f/2.8 aperture that provides consistent performance under various conditions and has been built with the rigors of travel in mind. The flexibility of this lens makes it a practical companion for capturing diverse subjects while traveling.
Comparison to Other Cameras
Canon EF-S 17-55mm f/2.8 IS USM
The Tamron competes with Canon’s EF-S 17-55mm f/2.8 IS USM. This has similar coverage of the focal length and a constant f/2.8 aperture without omitting image stabilisation to provide an extra benefit to shooting without a monopod. The Canon also enjoys a bit better build quality and optical performance, which makes it costlier somehow than Tamron.
Sigma 18-50mm f/2.8 DC OS HSM
Very similar to the above is the Sigma 18-50mm f/2.8 DC OS HSM. This also has a nearly equal focal length and aperture range as it features optical stabilization (OS) to reduce camera shake, enhance performance in handheld shooting. The lens have lens picture quality comparison as with Tamron, but might have price ranges that are similar to slightly above.
Tamron 16-50mm f/2.8 Di II VC
This is a newer model for Tamron, albeit one in the price category introduced with a slightly wider range and with VC. The new VC system promises to work to stabilize it while handheld, and the improvements in the new design of this lens offer overall better performance as well as build quality. It stands out as a replacement for the xvii-50mm f/2.8 xr diii, especially by people wishing to use it with more stability.
Advantages and Drawbacks
Advantages:
Constant f/2.8 aperture: Very good low-light performance and depth of field control throughout the zoom range.
Versatile Focal Length Range: From wide-angle to short telephoto, it covers a vast array of shooting scenarios.
Compact and Lightweight: Good performance in relation to its size, making it practical for many styles of photography.
Good Image Quality: Produces sharp images with good definition and minimal distortion and chromatic aberration for the price range.
Good Lots: It is cost-effective for both photographers looking to own a fast and versatile zoom lens in their macros.
Drawbacks:
There is, however, a quality of build: pretty sturdy but does not match the ruggedness of models at the higher end and will be more susceptible to damage in extreme conditions.
Corner sharpness: There is likely to have some softness on the corners and very wide aperture use not making optimum sharpness.
No stabilisation: Hence, its usage might not be the best when one is shooting handheld in low-light conditions or at slow shutter speeds.
Manual Focus Precision: it is functional, but the manual focus ring is probably not as precise as on higher-end lenses.
Audience Feedback
Testimonies from Clients
The Tamron 17-50 f/2.8 XR Di II has been acclaimed as the best lens for its image quality; especially in the middle of the frame. It also offers the beauty of a full f-stop from 2.8 within a constant aperture. Almost always, it’s just compact and rather inexpensive; users then praise it among the definitions used for hobbyists and amateurs.
But none have failed to complain.
There is some corner sharpness that should really not be as good as the higher-end lenses, and some may notice softness at the edges more at the widest apertures. A very common complaint about this lens is that it doesn’t come with image stabilization, thereby limiting that lens from being completely effective while posed for handheld shooting in dim light or with slow shutter speeds.
Conclusion
An overall, really good affordable zoom lens that always holds the promise of an f/2.8 aperture, good-quality images, and versatility, especially for APS-C DSLR camera users. It is compact and travel lightweight, so easy handling, while a wide aperture makes low-light performance outstanding with creative control of depth of field.
This lens does not possess the technologies or sturdier frame of more expensive lenses. However, it is a pretty good deal for photographers who just want a general-purpose zoom under reasonable price constraints. Its eco-friendly nature makes it worth all considerations for photographers in search of good features and reasonable price.
Ple Bott is the Tamron 17-50 f/2.8 XR Di II, complementing amateur and enthusiast photographers at all levels. This lens has a near-perfect balance of features, offering decent performance and value for money. It has everything needed to take a great picture and give creative possibilities for all applications: general photography, portraits, and traveling.